Concrete and Light
Hard light on bare concrete
What this shoot is, and what the day asks of you.
My studio sits on a former Cold War air base, and the ground around it has never been tidied up. Concrete, roller doors, painted line markings and rust. It is a set no other photographer in Suffolk can offer, and it suits hard light far better than anything soft.
We shoot either in full midday sun, which most photographers avoid and which is exactly what this needs, or after dark with a single hard light and the buildings going black behind you.
This is a graphic set. You will be small in the frame as often as you are large, because the scale of the place is part of the picture. Expect strong, simple images rather than flattering ones.
Wardrobe is structural and plain. Long coats, boiler suits, one block of strong colour against all that grey. Nothing patterned. The shoot runs in any season, though overcast days do not work. It needs hard sun or full dark.
We work on the part of the base I have access to. There is a hardened aircraft shelter elsewhere on the site that I have photographed in before. If it can be arranged for your date I will tell you, but it takes organising and it is not something I can promise in advance.
Mood reference
Frames showing the look I am going for, taken from my own previous sessions.
Not a Chance, shot at Bentwaters
Not a Chance, shot at Bentwaters
Not a Chance, shot at Bentwaters
Not a Chance, shot at Bentwaters
Not a Chance, shot at Bentwaters
Not a Chance, shot at Bentwaters
Shot list
The frames I am aiming for. It gives you an idea of how the day runs.
- The Long ShotFigure small against a hangar door or blast wall. The architecture does the work and you anchor it.
- Hard Shadow PortraitMidday sun raking across the face, with the shadow cutting a clean diagonal through the frame.
- The Line MarkingsUsing the painted markings on the concrete as a graphic element running through the composition.
- Doorway FrameStanding in a dark opening with light falling on one side only. Simple and strong.
- Texture CloseTight crop with rust, peeling paint and concrete sitting just behind the shoulder.
- After DarkOne hard light after sunset, everything behind you going to black. The most dramatic frame of the set.
Where and how to take it
Where the shoot happens and what to do if you want it.
This is a TFP shoot. Nobody pays anybody. We both put in the time and we both come away with images we want to use.
If it is a fit I will send you the full brief and we will sort a date. If it is not, I will say so rather than leave you waiting.
Every shoot on this list is SFW. If you are under 18 I will need a parent or guardian to confirm they are happy and to be present on the day.
Take Concrete and Light
Message me on WhatsApp and the shoot name is filled in already. Attach a recent photo of yourself so I can see who I am talking to. A phone selfie is fine, it does not need to be a portfolio image.
07884 366 342